Particle Trail Effect with Scroll and Synchronized Mouse

Howard
Yang

         
Motion  Designer
In my spare time, I take my KONICA C35, a zone-focus film camera, and set off to explore the world around me. With this camera, there’s always a sense of uncertainty—the focus is never entirely guaranteed. It’s a guessing game, trusting your instincts and learning to embrace the imperfections that come with it. Sometimes the results are unexpected, but that’s part of the magic.

The process becomes less about technical precision and more about being present—reading the light, sensing the distance, and capturing a fleeting moment before it’s gone. From the soft click of the shutter to the quiet anticipation of developing the film by hand, every frame feels like a little surprise waiting to reveal itself.

These experiences have shaped the way I see both the world and my creative process. I’ve learned to appreciate the beauty of uncertainty and the charm of imperfections, carrying that same openness and curiosity into my design work. For me, it’s never about perfection; it’s about the story each frame—or each project—has to tell.











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